Guanyin 100 lots · Numbered reference

Guanyin Lot 49 Meaning (王祥求鯉)

Read Guanyin lot 49 (王祥求鯉) through its four-line poem, grade, 亥宮, classical glosses, question contexts, source notes, and explicit safety limits.

Corpus identifiers
Guanyin lot 49 · 王祥求鯉

Catalog reference updated: · Maintained by OpenFate · Editorial Methodology

Overview

Forcing it is like ice that eventually melts back to water — sitting calmly now serves you better than rushing around. Use this image as a conditional reflection prompt, not as a forecast or guaranteed result.

At a glance

Lot number
49
Grade
Middle lot
Palace
亥宮
Transmitted allusion title
王祥求鯉
Corpus version
guanyin-100-openfate-2026-07-30 · wiki-field-repairs-2026-09-12-r1
Release state
Editorial review draft · not indexed

Meaning in one paragraph

Forcing it is like ice that eventually melts back to water — sitting calmly now serves you better than rushing around. Use this image as a conditional reflection prompt, not as a forecast or guaranteed result.

Original four-line poem

The four lines below preserve the pinned classical text in order. Keep them visible while evaluating every modern paraphrase.

  • 營圖萬事若冰澌
  • 何必慳貪苦所為
  • 只好靜心閑處坐
  • 待他興變復奚疑

Line-by-line reading

Source-grounded draft: line 1, “營圖萬事若冰澌,” establishes the opening condition. Read that exact image beside this recension’s shiyi, “此卦水結成冰之象。凡事不用枉求也。,” and the working theme “Forcing it is like ice that eventually melts back to water — sitting calmly now serves you better than rushing around..” The relationship between those three source-linked elements is the interpretation cue; the line alone does not prove an event, date, or outcome.

Source-grounded draft: line 2, “何必慳貪苦所為,” introduces the response or change. Read that exact image beside this recension’s shiyi, “此卦水結成冰之象。凡事不用枉求也。,” and the working theme “Forcing it is like ice that eventually melts back to water — sitting calmly now serves you better than rushing around..” The relationship between those three source-linked elements is the interpretation cue; the line alone does not prove an event, date, or outcome.

Source-grounded draft: line 3, “只好靜心閑處坐,” develops or tests that movement. Read that exact image beside this recension’s shiyi, “此卦水結成冰之象。凡事不用枉求也。,” and the working theme “Forcing it is like ice that eventually melts back to water — sitting calmly now serves you better than rushing around..” The relationship between those three source-linked elements is the interpretation cue; the line alone does not prove an event, date, or outcome.

Source-grounded draft: line 4, “待他興變復奚疑,” closes with a consequence, stance, or stopping point. Read that exact image beside this recension’s shiyi, “此卦水結成冰之象。凡事不用枉求也。,” and the working theme “Forcing it is like ice that eventually melts back to water — sitting calmly now serves you better than rushing around..” The relationship between those three source-linked elements is the interpretation cue; the line alone does not prove an event, date, or outcome.

Classical shiyi and jieyue

詩意:此卦水結成冰之象。凡事不用枉求也。

解曰:水結成冰。冰消成水。若是營謀。到底如是。

Shiyi and jieyue are reproduced as classical source fields. They are evidence of this recension’s wording, not verified instructions or guaranteed outcomes.

Grade and palace

This recension records Middle lot and 亥宮. Grade is a corpus field, not a probability or a verdict that overrides the poem and real-world evidence.

Integrated reading

This lot carries the image of "water freezing into ice" — ice always melts back into water, meaning effort pointed the wrong way may return to its starting point even if it looks like progress for a while. The poem is blunt: why struggle so hard out of stinginess or greed? Better to sit quietly and let the situation shift on its own before acting again.

Worked example

The shared draft image for lot 49 (王祥求鯉) is “Forcing it is like ice that eventually melts back to water — sitting calmly now serves you better than rushing around.” Use the six prompts below only to organize one bounded question and test the image against observable facts. They are not six predictions, and an image that does not fit the facts should be discarded.

  • Relationships — Use the lot image only to form questions about direct statements, recent behavior, consent, and boundaries. It cannot reveal private feelings or prove a relationship outcome.
  • Work — Compare the lot image with the written role, contract, deadlines, feedback, and confirmed decisions. It cannot prove hiring, promotion, dismissal, or timing.
  • Money and resources — Compare the lot image with balances, terms, affordability, downside, and qualified advice when needed. It cannot determine returns, losses, credit, or timing.
  • Health — Use the lot image only to organize questions for qualified care alongside symptoms and timelines. It cannot determine diagnosis, urgency, treatment, or recovery.
  • Study — Compare the lot image with deadlines, feedback, practice results, and actual preparation. It cannot predict scores, admission, graduation, or timing.
  • Family — Check direct conversations, consent, privacy, and each person’s responsibilities. The lot cannot speak for another person or assign authority they do not have.

Close misreading and alternative

A close misreading would turn “Forcing it is like ice that eventually melts back to water — sitting calmly now serves you better than rushing around.” into certainty. A safer alternative is to test whether the poem’s conditions are observable in the recorded question; if they are not, keep the interpretation provisional and do not repeat the draw to force agreement.

A reversible next step

Write the one decision connected to lot 49, copy the line “營圖萬事若冰澌,” name one observable condition that supports your reading and one that would weaken it, then take only a reversible step inside your actual authority.

Evidence, allusion, and safety limits

This page identifies Guanyin lot 49 in the pinned OpenFate recension as Middle lot, assigned to 亥宮, and transmitted under the title 王祥求鯉. Its source layer is the four-line poem plus the shiyi and jieyue fields; two named public transcriptions are used only to cross-check those fields. The one-line image and modern synthesis are editorial aids adapted from a version-pinned OpenFate draft, while the six question prompts are Wiki safety scaffolds; neither is primary evidence, and both still require native-language review. Read the lines in sequence, preserve any mismatch with a temple slip, and keep the interpretation conditional. Each factual statement remains tied to a named source reference, while examples explain the reading method and never establish the reader’s future outcome. This lot cannot verify another person’s thoughts, diagnose health, decide legal or financial risk, supply a guaranteed date, or prove that an event will occur.

The classical fields come from the pinned OpenFate recension and are checked against two named public transcriptions. The modern reading is a conditional editorial synthesis; it cannot predict events, dates, health, legal outcomes, investments, or another person’s private mind.

The allusion is intentionally limited to the title transmitted with this corpus. No story is retold or presented as history; a reader who wants to use the narrative must first consult a dedicated source for that story.

Sources and editorial basis

  1. OpenFate Guanyin 100-lot recension contract
    openfate-guanyin-100-2026-09-12-r1, lot 49: number, grade, palace, four-line poem, shiyi, jieyue, and allusion label; source files pinned by SHA-256The pinned product repository establishes only the exact fields and recension shown here. It does not establish universal temple practice, historical truth, or predictive validity.
  2. OpenFate Guanyin 100-lot editorial seed snapshot
    openfate-guanyin-100-editorial-seed-2026-09-12, lot 49: five-locale one-liner and plain reading; six raw domain drafts remain pinned but are not rendered before safety and native reviewA commit- and SHA-pinned copy seed used only for noindex modern summaries and question contexts. It is not a primary source, does not verify allusion stories or predictions, and still requires native editorial review.
  3. 籤詩網・觀音一百籤
    觀音一百籤第49籤 entry; cross-check allusion label 王祥求鯉 and every displayed classical fieldA public digital transcription used to cross-check lot number, poem, grade, palace, classical glosses, and the transmitted allusion label. It is not a critical edition.
  4. 台灣好廟網・觀音一百籤
    stick/fs_yin100 numbered entry 49; cross-check the four poem lines and local-version noticeA second complete digital transcription used for field-by-field comparison. The site itself warns that temple versions differ and does not represent a temple.
Was this article helpful?

Search the Wiki