Guanyin 100 lots · Numbered reference

Guanyin Lot 59 Meaning (張良隱山)

Read Guanyin lot 59 (張良隱山) through its four-line poem, grade, 寅宮, classical glosses, question contexts, source notes, and explicit safety limits.

Corpus identifiers
Guanyin lot 59 · 張良隱山

Catalog reference updated: · Maintained by OpenFate · Editorial Methodology

Overview

What looked like a win can flip — hold your ground and wait; there's no harm in patience. Use this image as a conditional reflection prompt, not as a forecast or guaranteed result.

At a glance

Lot number
59
Grade
Middle lot · Lower lot
Palace
寅宮
Transmitted allusion title
張良隱山
Corpus version
guanyin-100-openfate-2026-07-30 · wiki-field-repairs-2026-09-12-r1
Release state
Editorial review draft · not indexed

Meaning in one paragraph

What looked like a win can flip — hold your ground and wait; there's no harm in patience. Use this image as a conditional reflection prompt, not as a forecast or guaranteed result.

Original four-line poem

The four lines below preserve the pinned classical text in order. Keep them visible while evaluating every modern paraphrase.

  • 直上高樓去避身
  • 四邊繞處是荊榛
  • 誰知造物安排定
  • 得意番成失意人

Line-by-line reading

Source-grounded draft: line 1, “直上高樓去避身,” establishes the opening condition. Read that exact image beside this recension’s shiyi, “此卦守舊隨時之象。凡事待時則吉。,” and the working theme “What looked like a win can flip — hold your ground and wait; there's no harm in patience..” The relationship between those three source-linked elements is the interpretation cue; the line alone does not prove an event, date, or outcome.

Source-grounded draft: line 2, “四邊繞處是荊榛,” introduces the response or change. Read that exact image beside this recension’s shiyi, “此卦守舊隨時之象。凡事待時則吉。,” and the working theme “What looked like a win can flip — hold your ground and wait; there's no harm in patience..” The relationship between those three source-linked elements is the interpretation cue; the line alone does not prove an event, date, or outcome.

Source-grounded draft: line 3, “誰知造物安排定,” develops or tests that movement. Read that exact image beside this recension’s shiyi, “此卦守舊隨時之象。凡事待時則吉。,” and the working theme “What looked like a win can flip — hold your ground and wait; there's no harm in patience..” The relationship between those three source-linked elements is the interpretation cue; the line alone does not prove an event, date, or outcome.

Source-grounded draft: line 4, “得意番成失意人,” closes with a consequence, stance, or stopping point. Read that exact image beside this recension’s shiyi, “此卦守舊隨時之象。凡事待時則吉。,” and the working theme “What looked like a win can flip — hold your ground and wait; there's no harm in patience..” The relationship between those three source-linked elements is the interpretation cue; the line alone does not prove an event, date, or outcome.

Classical shiyi and jieyue

詩意:此卦守舊隨時之象。凡事待時則吉。

解曰:如醉飲酒。只宜守舊。直待時來。無災無咎。

Shiyi and jieyue are reproduced as classical source fields. They are evidence of this recension’s wording, not verified instructions or guaranteed outcomes.

Grade and palace

This recension records Middle lot (Lower lot) and 寅宮. Grade is a corpus field, not a probability or a verdict that overrides the poem and real-world evidence.

Integrated reading

This lot carries the image of climbing to a high tower for safety, only to find brambles all around — the situation turns out more tangled than expected. The poem notes that fate has its own arrangement; a moment that feels like triumph may not be the real thing, and celebrating too early risks a reversal. The gloss is direct: as if slightly drunk, best to hold to what you know and wait until the true moment arrives — no harm, no fault in that patience. The best strategy right now is to stay put and wait for the real timing.

Worked example

The shared draft image for lot 59 (張良隱山) is “What looked like a win can flip — hold your ground and wait; there's no harm in patience.” Use the six prompts below only to organize one bounded question and test the image against observable facts. They are not six predictions, and an image that does not fit the facts should be discarded.

  • Relationships — Use the lot image only to form questions about direct statements, recent behavior, consent, and boundaries. It cannot reveal private feelings or prove a relationship outcome.
  • Work — Compare the lot image with the written role, contract, deadlines, feedback, and confirmed decisions. It cannot prove hiring, promotion, dismissal, or timing.
  • Money and resources — Compare the lot image with balances, terms, affordability, downside, and qualified advice when needed. It cannot determine returns, losses, credit, or timing.
  • Health — Use the lot image only to organize questions for qualified care alongside symptoms and timelines. It cannot determine diagnosis, urgency, treatment, or recovery.
  • Study — Compare the lot image with deadlines, feedback, practice results, and actual preparation. It cannot predict scores, admission, graduation, or timing.
  • Family — Check direct conversations, consent, privacy, and each person’s responsibilities. The lot cannot speak for another person or assign authority they do not have.

Close misreading and alternative

A close misreading would turn “What looked like a win can flip — hold your ground and wait; there's no harm in patience.” into certainty. A safer alternative is to test whether the poem’s conditions are observable in the recorded question; if they are not, keep the interpretation provisional and do not repeat the draw to force agreement.

A reversible next step

Write the one decision connected to lot 59, copy the line “直上高樓去避身,” name one observable condition that supports your reading and one that would weaken it, then take only a reversible step inside your actual authority.

Evidence, allusion, and safety limits

This page identifies Guanyin lot 59 in the pinned OpenFate recension as Middle lot, with a recorded Lower lot variant, assigned to 寅宮, and transmitted under the title 張良隱山. Its source layer is the four-line poem plus the shiyi and jieyue fields; two named public transcriptions are used only to cross-check those fields. The one-line image and modern synthesis are editorial aids adapted from a version-pinned OpenFate draft, while the six question prompts are Wiki safety scaffolds; neither is primary evidence, and both still require native-language review. Read the lines in sequence, preserve any mismatch with a temple slip, and keep the interpretation conditional. Each factual statement remains tied to a named source reference, while examples explain the reading method and never establish the reader’s future outcome. This lot cannot verify another person’s thoughts, diagnose health, decide legal or financial risk, supply a guaranteed date, or prove that an event will occur.

The classical fields come from the pinned OpenFate recension and are checked against two named public transcriptions. The modern reading is a conditional editorial synthesis; it cannot predict events, dates, health, legal outcomes, investments, or another person’s private mind.

The allusion is intentionally limited to the title transmitted with this corpus. No story is retold or presented as history; a reader who wants to use the narrative must first consult a dedicated source for that story.

Sources and editorial basis

  1. OpenFate Guanyin 100-lot recension contract
    openfate-guanyin-100-2026-09-12-r1, lot 59: number, grade, palace, four-line poem, shiyi, jieyue, and allusion label; source files pinned by SHA-256The pinned product repository establishes only the exact fields and recension shown here. It does not establish universal temple practice, historical truth, or predictive validity.
  2. OpenFate Guanyin 100-lot editorial seed snapshot
    openfate-guanyin-100-editorial-seed-2026-09-12, lot 59: five-locale one-liner and plain reading; six raw domain drafts remain pinned but are not rendered before safety and native reviewA commit- and SHA-pinned copy seed used only for noindex modern summaries and question contexts. It is not a primary source, does not verify allusion stories or predictions, and still requires native editorial review.
  3. 籤詩網・觀音一百籤
    觀音一百籤第59籤 entry; cross-check allusion label 張良隱山 and every displayed classical fieldA public digital transcription used to cross-check lot number, poem, grade, palace, classical glosses, and the transmitted allusion label. It is not a critical edition.
  4. 台灣好廟網・觀音一百籤
    stick/fs_yin100 numbered entry 59; cross-check the four poem lines and local-version noticeA second complete digital transcription used for field-by-field comparison. The site itself warns that temple versions differ and does not represent a temple.
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