Guanyin Lot 54 Meaning (馬超追曹)
Read Guanyin lot 54 (馬超追曹) through its four-line poem, grade, 子宮, classical glosses, question contexts, source notes, and explicit safety limits.
Overview
A dream-treasure is gone on waking — see through the illusion and find a steadier path. Use this image as a conditional reflection prompt, not as a forecast or guaranteed result.
At a glance
- Lot number
- 54
- Grade
- Lower lot
- Palace
- 子宮
- Transmitted allusion title
- 馬超追曹
- Corpus version
- guanyin-100-openfate-2026-07-30 · wiki-field-repairs-2026-09-12-r1
- Release state
- Editorial review draft · not indexed
Meaning in one paragraph
A dream-treasure is gone on waking — see through the illusion and find a steadier path. Use this image as a conditional reflection prompt, not as a forecast or guaranteed result.
Original four-line poem
The four lines below preserve the pinned classical text in order. Keep them visible while evaluating every modern paraphrase.
- 夢中得寶醒來無
- 應說巫山只是虛
- 若問婚姻幷病訟
- 別尋生路得相宜
Line-by-line reading
Source-grounded draft: line 1, “夢中得寶醒來無,” establishes the opening condition. Read that exact image beside this recension’s shiyi, “此卦夢中得寶之象。凡事枉費心力也。,” and the working theme “A dream-treasure is gone on waking — see through the illusion and find a steadier path..” The relationship between those three source-linked elements is the interpretation cue; the line alone does not prove an event, date, or outcome.
Source-grounded draft: line 2, “應說巫山只是虛,” introduces the response or change. Read that exact image beside this recension’s shiyi, “此卦夢中得寶之象。凡事枉費心力也。,” and the working theme “A dream-treasure is gone on waking — see through the illusion and find a steadier path..” The relationship between those three source-linked elements is the interpretation cue; the line alone does not prove an event, date, or outcome.
Source-grounded draft: line 3, “若問婚姻幷病訟,” develops or tests that movement. Read that exact image beside this recension’s shiyi, “此卦夢中得寶之象。凡事枉費心力也。,” and the working theme “A dream-treasure is gone on waking — see through the illusion and find a steadier path..” The relationship between those three source-linked elements is the interpretation cue; the line alone does not prove an event, date, or outcome.
Source-grounded draft: line 4, “別尋生路得相宜,” closes with a consequence, stance, or stopping point. Read that exact image beside this recension’s shiyi, “此卦夢中得寶之象。凡事枉費心力也。,” and the working theme “A dream-treasure is gone on waking — see through the illusion and find a steadier path..” The relationship between those three source-linked elements is the interpretation cue; the line alone does not prove an event, date, or outcome.
Classical shiyi and jieyue
詩意:此卦夢中得寶之象。凡事枉費心力也。
解曰:物在水中。形影長短。皆有分定。不用商量。
Shiyi and jieyue are reproduced as classical source fields. They are evidence of this recension’s wording, not verified instructions or guaranteed outcomes.
Grade and palace
This recension records Lower lot and 子宮. Grade is a corpus field, not a probability or a verdict that overrides the poem and real-world evidence.
Integrated reading
This lot centers on "treasure found in a dream, gone on waking": however wonderful the gain feels in the dream, it slips away the moment you wake. The gloss speaks plainly of wasted effort, flagging that whatever goal you're chasing right now may have been unreachable from the start. It says outcomes for things like this are often already set, not something argument or force can change. If the question concerns marriage, illness, or a dispute, the lot's advice isn't to dig in — it's to look for a different road; a change of direction opens more space than holding on does.
Worked example
The shared draft image for lot 54 (馬超追曹) is “A dream-treasure is gone on waking — see through the illusion and find a steadier path.” Use the six prompts below only to organize one bounded question and test the image against observable facts. They are not six predictions, and an image that does not fit the facts should be discarded.
- Relationships — Use the lot image only to form questions about direct statements, recent behavior, consent, and boundaries. It cannot reveal private feelings or prove a relationship outcome.
- Work — Compare the lot image with the written role, contract, deadlines, feedback, and confirmed decisions. It cannot prove hiring, promotion, dismissal, or timing.
- Money and resources — Compare the lot image with balances, terms, affordability, downside, and qualified advice when needed. It cannot determine returns, losses, credit, or timing.
- Health — Use the lot image only to organize questions for qualified care alongside symptoms and timelines. It cannot determine diagnosis, urgency, treatment, or recovery.
- Study — Compare the lot image with deadlines, feedback, practice results, and actual preparation. It cannot predict scores, admission, graduation, or timing.
- Family — Check direct conversations, consent, privacy, and each person’s responsibilities. The lot cannot speak for another person or assign authority they do not have.
Close misreading and alternative
A close misreading would turn “A dream-treasure is gone on waking — see through the illusion and find a steadier path.” into certainty. A safer alternative is to test whether the poem’s conditions are observable in the recorded question; if they are not, keep the interpretation provisional and do not repeat the draw to force agreement.
A reversible next step
Write the one decision connected to lot 54, copy the line “夢中得寶醒來無,” name one observable condition that supports your reading and one that would weaken it, then take only a reversible step inside your actual authority.
Evidence, allusion, and safety limits
This page identifies Guanyin lot 54 in the pinned OpenFate recension as Lower lot, assigned to 子宮, and transmitted under the title 馬超追曹. Its source layer is the four-line poem plus the shiyi and jieyue fields; two named public transcriptions are used only to cross-check those fields. The one-line image and modern synthesis are editorial aids adapted from a version-pinned OpenFate draft, while the six question prompts are Wiki safety scaffolds; neither is primary evidence, and both still require native-language review. Read the lines in sequence, preserve any mismatch with a temple slip, and keep the interpretation conditional. Each factual statement remains tied to a named source reference, while examples explain the reading method and never establish the reader’s future outcome. This lot cannot verify another person’s thoughts, diagnose health, decide legal or financial risk, supply a guaranteed date, or prove that an event will occur.
The classical fields come from the pinned OpenFate recension and are checked against two named public transcriptions. The modern reading is a conditional editorial synthesis; it cannot predict events, dates, health, legal outcomes, investments, or another person’s private mind.
The allusion is intentionally limited to the title transmitted with this corpus. No story is retold or presented as history; a reader who wants to use the narrative must first consult a dedicated source for that story.
Sources and editorial basis
- OpenFate Guanyin 100-lot recension contractopenfate-guanyin-100-2026-09-12-r1, lot 54: number, grade, palace, four-line poem, shiyi, jieyue, and allusion label; source files pinned by SHA-256The pinned product repository establishes only the exact fields and recension shown here. It does not establish universal temple practice, historical truth, or predictive validity.
- OpenFate Guanyin 100-lot editorial seed snapshotopenfate-guanyin-100-editorial-seed-2026-09-12, lot 54: five-locale one-liner and plain reading; six raw domain drafts remain pinned but are not rendered before safety and native reviewA commit- and SHA-pinned copy seed used only for noindex modern summaries and question contexts. It is not a primary source, does not verify allusion stories or predictions, and still requires native editorial review.
- 籤詩網・觀音一百籤觀音一百籤第54籤 entry; cross-check allusion label 馬超追曹 and every displayed classical fieldA public digital transcription used to cross-check lot number, poem, grade, palace, classical glosses, and the transmitted allusion label. It is not a critical edition.
- 台灣好廟網・觀音一百籤stick/fs_yin100 numbered entry 54; cross-check the four poem lines and local-version noticeA second complete digital transcription used for field-by-field comparison. The site itself warns that temple versions differ and does not represent a temple.